The quarter century or so after 1947 were years of tremendous struggle for the Sindhi community in India. Despite economic, social and cultural difficulties, the Sindhi community transformed itself from sharanaarthi (immigrants) to p urushaarthi (self-reliant and independent). Separation from the homeland involved attempting to settle in a new land, a hard life lived in camps and barracks, insults and rejection from local communities, a new culture and a totally new environment. Immigrant Sindhis started a new chapter in their history on the premise that there was ‘No home to live, but the whole of India is ours’. Immigrant Sikhs and Muslims from Pakistan found new homes in Punjab and Uttar Pradesh, but for the Sindhi community, there were merely promises. This belief and hope motivated Hindu Sindhis to leave their homes, business and land in the temporary care of Muslim Sindhis, which later lay open to claims. Sindhis had always been one community irrespective of religion they believed that the Partition was temporary, and once the riots subsided, the situation would return to normal and people would come back to their homes. Partition based on religious lines made Sindh a geographical part of Pakistan, and lakhs of Hindu Sindhis left their motherland to become a part of India.

History and politics, however, conspired not only to offer Independence, but also to create new borders.

Seventy years ago, in 1947, India achieved Independence from British colonial rule. At present, these forms continue to co-exist, albeit in a varying degree, with Azad Nazm having an edge over them all.Effect of Partition on the Sindhi Community Soon after the partition of the sub-continent, these forms were reinforced by Triolet, Haiku, Renga and Tanka etc. Beit slightly resemble with form Dohas and Sorthas, moreover also influenced by Persian forms of prosody like Ghazal, Mathnavi, Rubai Kaafi etc., and, thereafter, in the nineteen forties, was further strengthened by Sonnet and Blank Verse. Sindhi Poetry contain two main original forms of verse, such as 'Beit' and 'Vaei'. Old Sindhi poetry impact upon contemporary languages and also accept the healthy influence of some languages like Hindi.

Sindhi poetry is very rich in thoughts as well as contain variety of genres like other developed languages. Sindhi is one of the oldest languages of the Indus Valley having itsown literary colour both in poetry and prose. It continues an oral tradition of a thousand years. Sindhi poetry is poetry written in the Sindhi language ( Template:Lang-sd).

Sindhi best poetry